How was the same again with the phrase "Where the language away, down to the music." and what he has to do with the new 12 "on
Workshop Records
Two rhetorical questions, the answers to both known to me as a questioner and the readers are addressed music is access to deep emotional and intellectual levels;?. music creates a force field , acts on both levels can be as a facilitator occur between them, builds bridges, that words can not be built.
At this point one could stop the journal actually. For if it is not always the same words, same language images we worked with tracks from Kassem Mosse
? You are sketchy, a torso, unfinished. They contribute one part cold and robotic, on the other hand, warm and organic. They give the impression that her producer is not ready to consistently detailed precision that he might have wanted leaves unfinished and imperfect. At some point, whilst those who executes the verbalization of the music experience with plays by Kassem Mosse, one arrives at a point where you have to admit even that one's own linguistic limitations can not be overcome. That's where you come back to the above-quoted sentence that music starts right there where language ceases. It is therefore only one to put the black vinyl on the turntable, put on the pick-up, close your eyes, and to let the tracks up. The replay of kick drums and bass lines created an unruly, making power-packed field. It touches captures, captivates. At least it is with me regularly when the music of Gunnar Wendel aka Kassem Mosse touched me and recorded. On the
Workshop 12 it is less the A-side. It proceeds with a majestic bass and resounding kick. The foundation provides a firm hold of the vocal fragments, which contain have the potential to get lost in the short, dry reverberation chamber. A track that may also outside a workshop inside the circle is well received.
awe in the knees I sink but as soon as the first bars Erlingen of the two B-sides tracks. Then we encounter meandering winding analog synthslines, the bass growls sedate, is very physically experienced, harsh claps and snare drum rim shots contrast the soft flowing, sensitive areas in the background. Beautiful! However, the breathing robs B2, a rugged, slate-term, black track that memories of the harsh beat and angular bass of Carl Craig under his alias or a Piece Maurice Fulton can be known Syclops awake. These names, however, serve only as anchor of the Association, for the linguistic expression sind begrenzt. Grosse EP. Kassem Mosse can do no wrong!
English (short) version: Workshop 12 is for all you fans of harsh rattling beats coming out of drum machines. Kassem Mosse can do no wrong!
mehr im Web:
Kassem Mosse @ Facebook
Kassem Mosse @ MySpace
Workshop Records @ Facebook
Workshop Records
Kassem Mosse - Podcast @
roof.fm Nr. 7: Kassem Mosse (Workshop Microdisco) at
ROOF.FM 
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