a first: I'm finally at home (be Thursday): D but of course can not just pull the one released without much yes or no to and fro .. on Wednesday morning told me my room nurse that I should be dismissed on the day home. which I found very strange, the day before had told my doctor yet that that is nothing to take home, etc. .. ok so first great confusion on the part of the sister. shortly after breakfast then my doctor looked over yet again. she then said that I should really have to go home .. but that should be deliberated in the first round. and as she was on duty overnight, and finally was allowed to bed, had no influence on the decision. floated at some point, the white cloud in my room, in German: the whole white frock makers gathered around my bed to visite. dr.napoleon and then said that in kh not much should be done with me. the antibiotic I was given orally as a tablet already anyway (by the way I am now 4 weeks are any continuous antibiotic ... yummy -.-) so wanted to have the CVC also drag. and keep as warm and pill to swallow at home and goes to the circuit I came on the same day to leave home. in addition he set dr.charming even as experts for my Raynaud's syndrome before (that's called the anti twill with kram against cold). of course that was the situation for prfekte dr. charming (by the way still no dr. titel has * cough *) aufzuspielen and specify how much he had yet read. bla bla bla ... I could not really follow his designs because I was distracted by something else. He had his jeans hanging half-mast on and purple polo-shirt was a bit much too short .. I had a clear view of his white pants + belly. the pants had some lettering on the bund ... I was distracted by the real ... I wanted to know what that says ...! I was actually just about to ask if he could not even raise just the apron so I can read what it says .... Eventually I got should be moved with that of the CVC now ... and of course dr. charming .... jackpot ... He assured the course would not do it hurts ... My experience with doctors: they say it does not hurt you should definitely expect pain with a 3 (on a scale of 1 to 10, 1 the lowest). so I ordered a nurse to hold hands. I was stunned that it really did not hurt oO ... flexülen does allow drag and then on to already hurt anymore .... the afternoon I should be discharged to home. when mama came and things were all packed, I just wanted to put on my jeans ... tja was stupid as me then dizzy and blacked out .. and a little later came back the blue. as a nurse found out, my release was promptly postponed .. oh man ... since one is already half a foot out there and then that -.-. over night, I was then (as the last nights) on the pulse oxy. sometime around 12 or so, the nurse firmly convinced was put to me the pulse oxy part to another finger (no, that's not to wake without the patient) to the special when the blood pressure nor measures and my treatment arm as but unfeeling something .. * Hach so, how I missed this ... not * the next day was time event going on. my doctor has dropped in again. they told me they fall on my sonem Congress wants to introduce some other white coats (so was my blue hands with the daily also recorded photographically). They also indicated that would have if I feel like it would take me ^ ^ I find cool: D let's see if it works `s. 's been little in the morning then the green light for my dismissal were packed my things:) all under the motto: think before the whole again ... than I was then Hasu I had to find my mother has rearranged my room ... nice if you are asked for something NOT ... But actually it's quite ok ... I could appreciate their work but not really-enjoy .. because I was actually only around and had abdominal pain ... yesterday we came up with the idea that the tablets had to lie to the ... the end were the other as in kh (but had the same active ingredient) ... Mama then calls to the clinic if I could have the same as in non-kh ... have talked to the pharmacy, etc. .. prescription for the well have been the same that I had in kh ... back and forth blah ... Finally mama could then pick up the tablets from the pharmacy. and was allowed to pay by 30 € ... Well at least the stomach pains are gone;) I think the post is now long enough:) unzwar many greetings from the heat insulation your DEXA
long time, was syn Pachyphragma macrophyllum. Thlaspi macrophyllum only in English Garden literature described. The ground cover in shady places and gap filler is worth every year about this time a recommendation. Where space is bigger, the stocks of moderate self-seeded. When Beth Chatto it says about her: "I use large quantities as a ground cover and effectively in the shade under bushes, it is an underrated plant that spreads slowly and with its large, round, shiny flower is a striking ground cover, if the.. Snowdrops are flowering, enter the thick, white flower clusters as late fallen snowflakes clearly. "
For some time Hakim Murphy , Guest Mixer this week, on the radar screen of keep-it-deep. What is fascinating about his music, I have "done Black Robots Having Sex known" in August 2010 as part of an entry to his 12 It is this rawness, the sweat, the workout machine that the releases of Hakim Murphy a - add attractiveness - in my view, undeniable. Of course, easy to digest Hakim Murphy harsh-sounding snare drums, angular and chunky bass sounds and a little awkward looking, like stumbling on cobblestone streets running Drums and by various spheres of leading Bleep certainly not synth sounds. But if a sound has the description "Minimal Funk" earned, then surely the tracks on "Black Robots Having Sex". "At first interview, then mix. As usual. Have fun!
first Dear Hakim, would you like to introduce yourself?
I am a dj / producer who rocks from acid beats to deep house.
second 've been gracing the decks for over a decade now. Do you remember the first day behind the turntables? What did you feel?
I didn't really understand the concept of pitch control or how to start the beat at the beginning of the phrase but yet I felt excited every time I got to play records. I do remember the first time I ever matched a beat, I was at my friend Gerald Moore's house and it was two Dance Mania records; DJ Funk and DJ Deeon. Then I rode the pitch back and forth, and it stayed on beat. It was like driving a car and at that moment I found matching beats to be easy and then it went from there.
3. How has your personal style evolved over the years?
It has changed dramatically over time, I got into different music styles and started opening up my ears to all that was going on in music. When I first started djing I was playing mostly all Dance Mania and records from some Chicago locals, but slowly I got more interested in Cajual, Relief, and then finally some Deep House. In the late 90's I started to buy a lot of imports from France and Germany. Really like all the Versatile, Sense, I:Cube, and Demon records.
For a while I stopped djing and collecting records even though I had bought an MPC-2000. I wasn't feeling the mood to make music. Then in 2000 I graduated from college and played records everyday for 6 months. That got my dj chops up, and I started listening and trying to figure out my sound again. Later in 2003, I went to music school and studied classical and jazz composition and this is probably the most important time for my musical development, because I started writing better tracks after the training.
I always liked acid tracks, but I never had any machines to make it with, but I had a copy of Reason 1.0 and I totally understood how to use it, and all the different note timings and synths available, and I really dug how Reason was like using analog gear because you plug it together the same way. Now in my style there are the raw elements of Chicago ghetto tracks with the subtle drum pattern changes, the classical music arrangements, and the 7th, 9th, and 11th chord harmonies from Jazz.
4. Who and what were your most important musical influences back then?
I would say one of my main influences when I started making dance music was Paul Johnson. He was lacing up mad tracks that I was feeling. I also loved a lot of Dance Mania artist, being that I use to dance, I wanted to be that dj who rocked the party with some straight energy tracks. I also like Larry Heard, Cajmere, and Robert Armani as well. I was playing all that Chicago shit when I first started.
5. Who and what is it nowadays? What is it that inspires you?
Hmmm, my inspiration these days comes from my love of making music. I use creating tracks as a therapeutic exercise; I get out all my frustrations through materializing tones, sometimes I finish tracks and sometimes I don't, but it is all for love though. This is probably my true inspiration, plus I enjoy the fact that I can contribute to society and human intellect in a way that is enjoyable for me and the end consumers.
6. You live and work in Chicago, a city with a rich musical heritage. Blues, Jazz, Soul and, of course, House music arose out of it. What do you think are some reasons for it?
I really don't know the answer to this but just that Chicago has a musical vibe to it. All the different influences really made the city what it was and is, you had the European immigrants with their music, plus you had all the Blacks who move up from the south, and many Hispanic people moving in; all contributing to Chicago. Though there were many rough patches with race relations, eventually integration set in and all types of people were getting into the different types music.
Chicago, it is kind of in the blood, a mostly liberal midwestern city that was full of artists and lots of wealthy people who like music, so they would contribute to the scene through patronage. Also I think church in the Black community had a lot to do with it to as many of these Blues, Jazz, and Soul artist were learning there craft from being in Church bands and choirs, and it all just continued to grow. Also we must not forget about the huge drug influence in Chicago that was spurring the disco and house moments, those classic parties that everyone was talking about were filled with mad drugs so that also kept the music moving forward.
7. You started making music and producing your own releases in 2005. How would you locate yourself on a "Chicago Sound Map"?
For my releases: my sound is definitely closer to Techno side of things, but I guess that's always been the sound I was into in retrospect, so I am basically making Techno at House tempos for the most part. But every once in a while I'll make some deep house. Otherwise I make all kinds of stuff: Jazz and Downtempo Trip Hop.
8. What three words describe your music?
Raw, deep and subtle.
9. You also run two labels, Synapsis Recordings and Machining Dreams. What was, and still is, your motivation behind?
To put out good music and keep vinyl alive. I think that was always the motivating factor. I always wanted to release some vinyl pieces. I'm not hating on digital but I like to have a vinyl artifact in my hand, I like the way records feel as well.
10. What is the label's musical concept?
Synapsis is a collaboration with Inbum Cho aka Avondale Music Society and we decided to drop a split vinyl piece back in 2008, so in the beginning it was just a vehicle for only Inbum and myself. Then later I heard some heat from Mauser and we decided to put it out. Now Synapsis will release the various styles of Chicago electronic music from Chicago artists.
Machining Dreams is more underground and it will feature artists from everywhere. The releases will most likely always be either Acid, Deep House, and or Techno.
11. What are you currently working on?
I am currently working on making enough tracks to do a mixtape for the summer. It will be all my tracks; 45 minute A and B side for the summer time. One side will be called AM and the other will be PM. So I'm in the process of writing tunes in these moments.
12. Plans for your musical future? Maybe a classical piano solo album? (We read in an interview with you at Hybridize blog, that you are gifted pianist and very into classical music)
Yeah, when I get more settled I want to buy a piano and write some Jazz-Classical fusions pieces. A bunch of short pieces that are fun, I'll be using jazz harmonies and classical arrangements. These pieces will be all in sheet music form and then I'll record it for a cd release and or digital download one day.
Otherwise, I have a few thing upcoming for the labels: Synapsis will see a solo release from Avondale Music Society called Mega Cycles EP(synapsis005), then a release from me called Examplars EP(synapsis006). For Machining Dreams there will be a various release called Vanguard Sound Vol. 1 featuring tracks from myself, G. Marcell, DJ Spider, Amir Alexander and Dakini9(mdreams004) and then a solo piece from Amir Alexander called North & Clybourn EP(mdreams005).
also been linked to dozens of times. But it fits very well in relation to the previous entry, I think. Therefore, movie for Universal Techno, very clear documentation on the phenomenon of techno from 1996. [What was / is it because of significant and serious documentaries in recent years, even the recent past? Speaking In Code. A Requiem for Detroit. What else?]
